A few weeks ago, an email arrived out of the blue from a former student of my father’s. My father, dead now nine years next week. In this unexpected missive were recollections of my father’s enthusiasm for 18th century poetry and the way he laughed. He did have a wonderful manner of laughing. It’s said that you die two deaths. One when you draw your last breath, the other when someone speaks your name for the last time– and thus my father, Larry Vonalt (January 10, 1937 – December 26, 2005) lives on.
Thanks for your note. I’ve been meaning to answer it since it arrived, but time has a way of zipping past regardless of one’s intentions. I can’t imagine what you found on Google– but I haven’t been 40 for some time. I went to Florence O. Stillman and Wilbert Snow Schools in Middletown and have vivid and mostly happy memories of living in Connecticut.
Though I know well his enthusiasm for 18th c. poetry, Dad’s interests later tilted more towards the Moderns and after– Eliot and Pound, and then Robert Lowell, Elizabeth Bishop, Delmore Schwartz, Dylan Thomas, John Berryman. I sat in his senior seminar in poetry the summer of 1972– and remember some 40 years later that two poems covered that day were Anne Sexton’s “Woman with a Girdle” and “Flee on Your Donkey.”
Dad spent 1971 (’72? one of those) — on sabbatical trying to write a book about John Berryman. It was the same year that Berryman died– but he didn’t finish it and as a result didn’t apply for tenure at Wesleyan. My mother fell in love with a British physician and she and I left the country in the autumn of 1972.
When he was dying of laryngeal cancer in 2005, Dad asked me to clean out his office at the University of Missouri at Rolla and I found drawer after drawer of material on Berryman– each poem had a file an inch thick. When I asked him what to do with it, he wrote (having been robbed of speech by that time) “Pitch it.”
I didn’t, of course, I couldn’t– and instead carted it home like a very heavy cautionary tale.
The way he let me know that the cancer treatment had failed was to ask me, by email, if I wanted his poetry books. (Because of course, I already had copies all my own.) When we buried his ashes at a cemetery in New Harmony, Indiana I read aloud at graveside the last stanza of “Little Gidding” from a first edition of Four Quartets, (“We shall not cease from exploration . . . .”) and then I carefully tore the page from the book and placed it in the little vault (bigger than a bread box? barely) with what remained of him.
He would be very pleased to know that you turned out to be a poet. I tried for years to not be a writer. I mean, I worked at not being a writer, even going so far as to take a degree in art. But I allowed myself a few poems, and then somehow I became the protege of Howard Nemerov. After my shoebox filled up with rejection slips from all the best houses and journals, I gave it up in entirety. (Marriage and children and a career in journalism contributed to the fall, I’m sure.)
I still miss my father every single day.
Thanks for writing. Enjoyed the couplet.